“The Sopranist Robert Crowe lends the role of the young-and-in-love Siebel a singular stamp, spotlessly sung and skillfully acted.” Darmstadter Echo for Faust
“Here, however, was the internationally known American male soprano Robert Crowe in a convincing portrait of a tender-voiced and sensitive, not quite grown-up man.” Frankfurter Allgemeine Zeitung for Faust
“A Phenomenon is the casting of the unhappy young admirer of Gretchen(sic), Siebel. This role, normally a trouser role for high female voice, is sung in Darmstadt by a male soprano, Robert Crowe. Even if it had not been in the program, one would have been convinced by a very masculine soprano with a solid-cored, marvelously freely produced, coloratura-capable voice.” Frankfurter Rundschau for Faust
“Totally convincing is countertenor Robert Crowe as Marguerite’s childish admirer, Siebel, who in purity of sound sets the benchmark.” Frankfurter Neue Presse for Faust
“Robert Crowe displays, in addition to his vocal talents, acting qualities which allow him to convincingly play the shy admirer.” EgoTrip.com for Faust
“…cultivated, secure in the upper reaches, and agile in coloratura, Robert Crowe succeeds in the soprano role of Ceasar.” Mannheimer Morgen for Piccinin’s Catone in Utica
“…the enormously fascinating-singing American sopranist Robert Crowe, who juggled vocal colors, played with contrasts, and showed traces of what Leopold Mozart so disparaged as the ‘mannered Mannheimer gout’. Crowe’s phrasing and his non-legato cadenzas in any case, show a vocal art behind which the rest of the ensemble remained." Frankfurter Rundschau for Piccinni’s Catone in Utica
“…the brilliant soprano of Robert Crowe, whose Ceasar was a tender Operetta Prince…” Die Welt for Piccinni’s Catone in Utica
“Outstanding: Soprano, Robert Crowe” Deutsche Presse Agentur for Der Kleine Prinz
“…standing before all others, Robert Crowe in the title role” Der Spiegel for Der Kleine Prinz
“The casting of the Little Prince with Robert Crowe showed itself to be a stroke of luck, as he allowed his powerful and penetrating soprano to sound childish and innocent, enabling him to find the perfect way to embody the role.” Das Opernglass for Der Kleine Prinz
“Robert Crowe accomplished the exhausting, high flying, central role of the Little Prince magnificently, with brightly shining high notes, a fine piano and extraordinarily beautiful timbre.” Badische Zeitung for Der Kleine Prinz
“…in the title role, the sopranist Robert Crowe appears in a brilliant performance…” Die Rheinpfalz for Der Kleine Prinz